Trickling down the
pages, in ones and twos, sometimes more, are the names of many whose
involvement with chess was at best tangential: few are identified. It
can be that little is in the public domain. An all too common problem
when researching individual Soviets. Even the life histories of
relatively prominent men can be largely obliterated. For instance,
David Glantz (page 130, Kharkov 1942, ISBN
978-0-7110-3468-6) quotes Marshall Bagramyan's biography of an
army group commander:
Maj-Gen Leonid
Vasilyevich Bobkin (birthplace unknown) joined the Red Guard in 1917
and later served during the Civil War, where he earned the Order of
the Red Banner. A cavalry officer, during 1924 and 1925 he served
with G.K. Zhukov, K.K. Rokossovsky, A.I. Yeremenko and Bagramyan at
the Higher Cavalry School in Leningrad. There, and subsequently, he
proved to be a skilled commander and expert in cavalry tactics. In
May 1942 he was Assistant Commander of South-Western Front forces for
cavalry. In this capacity Timoshenko tasked him with organising and
leading the specially formed Army Group.
The
commander of the 38th Army at that time, Lt-Gen K.S. Moshkalenko,
endorsed this assessment of Bobkin's abilities: an extremely
capable, skilful and energetic commander.
To
remove all doubt, Bobkin's name does not pop up in Centre-Stage.
On
page 119 Averbakh tells of a battle between Armenians and Georgians
when the music of Babadzhanian was played over and over again.
Probably many readers will know that there are many rivalries in the
Caucasus, thus both nations, despite practising distinct forms of
Christianity, have traditionally had troubled relations. Something
that Moscow has been able to exploit in the past. Incidentally,
Bagramyan, briefly mentioned above, notwithstanding his status as a
hero of the Great Patriotic War, was ethnically Armenian, something
his name so indicates. Similarly, Prince Bagration, a Russian hero from
the campaign of 1812, when Napoleon invaded Russia, was a Georgian
prince.
Arno
Harutyuni Babadzhanian (1921 – 1983) was a notable composer and
pianist. Born in Yerevan, he studied composition at its Conservatory,
graduating in 1947. He moved to the Moscow Conservatory from which he
graduated in 1948. In 1950 he became a faculty member at Yerevan
Conservatory. His Piano Trio, with its strong national overtones, won
a USSR State Prize in 1953.
There
is no note on page 120 about Vakhtang Mikhaylovich Chabukiani (1910 –
1992). Dancer, choreographer and teacher, he first studied ballet in
Tbilisi, before moving to Leningrad Ballet School (the School was
founded at the same time as the Maryinsky Ballet, it has been known
successively as the Imperial Theatre School, the St. Petersburg, the
Petrograd State Ballet School, the Leningrad Ballet School and from
1957 as the Vaganova School) from which he graduated in 1929. He then
became a leading soloist at the Kirov (as the Maryinsky Ballet was
then known. There has been much debate as to whether Sergey
Mironovich Kirov was murdered in 1934 on Stalin's orders.) until
1941, during which time he developed a broad repertoire and became
known for his magnificent technique, particularly for his heroic
style and great leaps. He was one of the first Soviet dancers to
visit the United States (1934). Moving to Georgia in 1941, he served
as the principal choreographer and teacher of the Paliashvili Theatre
of Opera and Ballet (an online history is available
at the official site) until 1973, as well as other arts
establishments within Georgia.
On
page 125 Ivan Kozlovsky enters the narrative, The Soviet Union, a
biographical dictionary gives:
Ivan Semenovich
Kozlovsky (born 1900) Tenor. Ivan Kozlovsky was born in the village
of Mar'yanovka. Of humble origins, he studied under Yelena Murav'eva
at the Kiev Institute of Music and Drama (1917-19), after which he
served in the Red Army for the following five years. In 1924 he
became a soloist with the Khar'kov Opera Theatre, joining the
Sverdlovsk Theatre in 1925. From 1926 to 1954 he was attached to the
Bol'shoy, where his lyrical tenor voice with its appealing timbre was
highly esteemed. He was made a People's Artist in 1940 and is the
recipient of several State Prizes.
Worth
recording is that Mar'yanovka is a village of some antiquity, in Kiev
Oblast. Kozlovsky passed away in 1993. There are videos dedicated to
him on YouTube, I enjoyed listening to them. According to this
web page there is a bust dedicated to his memory in Kiev. As an
aside, Sverdlovsk has reverted to its earlier name of Yekaterinburg.
Also
mentioned in that same sentence is Igor Ilyinsky. The Biographical
Dictionary yields: Igor Vladimirovich Il'insky (1901-1987)
Actor. Il'insky was an enormously popular comic actor of stage and
screen. He began his career in Foregger's Theatre of the Four Masks
in 1918 appearing in French farces and worked in the Meyerhold
Theatre from 1920 to 1935, acting in Meyerhold's productions of
Verhaeren's 'The dawn' (1920), Mayakovsky's 'Mystery-bouffe' (1921),
and Ostrovky's 'The Forest' (1924). He later worked in the Moscow
Malyy Theatre. His first film role was the detective in Protazanov's
'Aelita' (1924) and he subsequently played with great success in 'The
Cigarette Girl from Mosselprom' (1924), 'The Tailor from Torzhok'
(1925), 'The Three Millions Trial' and 'Miss Mend' (both 1926), 'The
Kiss of Mary Pickford (1927) and 'The Feast of St Jürgen'
(1930). One of his greatest film roles was his portrayal of the
bureaucrat Byvalov in Alexandrov's 'Volga-Volga' (1938).
Unknown
to me prior to reading Averbakh was Artur Arturovich Eisen (1927 –
2008). I couldn't find his name in any book of mine. There is a web
page here,
it appears to have been written by one of his children. It says that
he sang the role of Don Basilio in The Barber of Seville. From which
I conclude that he was a bass opera singer. Another web page, which
is consistent with the first is here.
This second looks inaccurate to me, it states that he was born into a
family of Latvian nationalists. The noun nationalist is a loaded
word, it seems incongruous for a Soviet singer. The first text
prefers revolutionary, which is likely to be closer to the truth,
given the source.
Quickly
going through the other names given:
Nikolay
Osipovich Ruban (1913 – 1987), another opera singer, he seemed
to specialise in lighter roles. This is sourced from this
Russian language website, which is credited to his daughter
Tatiana Nikolayevich Ruban.
Mark
Bernes (1911 – 1969) unlike the previous singers was more of a
popular entertainer. He also appeared in Soviet films. Examples of
his art can be found on YouTube using the Russian Марк
Бернес.
Boris
Sergeyevich Brunov (1922 – 1997) was a Soviet actor. He was
born in Tbilisi. He was the director of the Moscow Variety Theatre
from 1983. There is a Russian language article about him available
here. On
this page one
can see his well maintained, imaginative grave. Also worth reading is
this.
Mikhail
Naumovich Garkavy (1897 – 1964) was a professional actor and
comedian. There is an online article devoted to him (in Russian)
available here.
First mentioned on page 125 in the English edition of Averbakh's
memoirs, a portrait is painted on pages 148-9. Quite amusing is the
tale of the simultaneous display (sic) given by Garkavy!
Vadim
Svyatoslavovych Sinyavsky (1906-1972) was a radio sports commentator.
He briefly attracted attention in the West following some adverse
comments about British hospitality in relation to the tour of Britain
by Moscow Dynamo in 1946. Sinyavsky had accompanied the footballers.
There is a Russian language interview with his daughter available
online here.
A brief Russian language biography is available here.
Apparently he was badly wounded (1942) during the siege of
Sevastopol.
Nikolay
Ozerov (1922 – 1997) also was a Soviet sports commentator, a
very well known one, which he took up when his tennis career ended.
He also was an actor at the Moscow Arts Theatre. There is an English
language article devoted to him here.
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